Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum

Najmeh Nouri

doi:doi:10.11648/j.ija.20160404.11

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Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum

Najmeh Nouri

Published in International Journal of Archaeology (Volume 4, Issue 4)

Received: 29 April 2016 Accepted: 8 June 2016 Published: 23 June 2016

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Abstract

Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).

Published in	International Journal of Archaeology (Volume 4, Issue 4)
DOI	10.11648/j.ija.20160404.11
Page(s)	36-43
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2016. Published by Science Publishing Group

Keywords

Slip Painted Buff Ware, Bonyad Museum, Nishapur, 3^rd and 4^th centuries (LY)

References

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APA Style

Najmeh Nouri. (2016). Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. International Journal of Archaeology, 4(4), 36-43. https://doi.org/10.11648/j.ija.20160404.11

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ACS Style

Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int. J. Archaeol. 2016, 4(4), 36-43. doi: 10.11648/j.ija.20160404.11

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AMA Style

Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int J Archaeol. 2016;4(4):36-43. doi: 10.11648/j.ija.20160404.11

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@article{10.11648/j.ija.20160404.11,
  author = {Najmeh Nouri},
  title = {Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum},
  journal = {International Journal of Archaeology},
  volume = {4},
  number = {4},
  pages = {36-43},
  doi = {10.11648/j.ija.20160404.11},
  url = {https://doi.org/10.11648/j.ija.20160404.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ija.20160404.11},
  abstract = {Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).},
 year = {2016}
}

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TY  - JOUR
T1  - Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum
AU  - Najmeh Nouri
Y1  - 2016/06/23
PY  - 2016
N1  - https://doi.org/10.11648/j.ija.20160404.11
DO  - 10.11648/j.ija.20160404.11
T2  - International Journal of Archaeology
JF  - International Journal of Archaeology
JO  - International Journal of Archaeology
SP  - 36
EP  - 43
PB  - Science Publishing Group
SN  - 2330-7595
UR  - https://doi.org/10.11648/j.ija.20160404.11
AB  - Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).
VL  - 4
IS  - 4
ER  -

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Author Information

Najmeh Nouri

Faculty of Preservation and Restoration, Department of Archaeology, Isfahan University of Art, Isfahan, Iran

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Plain Text BibTeX RIS

APA Style

Najmeh Nouri. (2016). Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. International Journal of Archaeology, 4(4), 36-43. https://doi.org/10.11648/j.ija.20160404.11

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ACS Style

Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int. J. Archaeol. 2016, 4(4), 36-43. doi: 10.11648/j.ija.20160404.11

Copy | Download

AMA Style

Najmeh Nouri. Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum. Int J Archaeol. 2016;4(4):36-43. doi: 10.11648/j.ija.20160404.11

Copy | Download

@article{10.11648/j.ija.20160404.11,
  author = {Najmeh Nouri},
  title = {Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum},
  journal = {International Journal of Archaeology},
  volume = {4},
  number = {4},
  pages = {36-43},
  doi = {10.11648/j.ija.20160404.11},
  url = {https://doi.org/10.11648/j.ija.20160404.11},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ija.20160404.11},
  abstract = {Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - Case Study: A Sample of Slip Painted Buff Ware to Treasury of Tehran BONYAD Museum
AU  - Najmeh Nouri
Y1  - 2016/06/23
PY  - 2016
N1  - https://doi.org/10.11648/j.ija.20160404.11
DO  - 10.11648/j.ija.20160404.11
T2  - International Journal of Archaeology
JF  - International Journal of Archaeology
JO  - International Journal of Archaeology
SP  - 36
EP  - 43
PB  - Science Publishing Group
SN  - 2330-7595
UR  - https://doi.org/10.11648/j.ija.20160404.11
AB  - Pottery production within Islamic lands including Iran in Samanid era went through profound changes. At this time, slip painted pottery is among the most beautiful and, at the same time, mysterious pottery in Islamic eras having various ornamental patterns. At museums and diverse collections of the world, there exist so many samples of this pottery kind, some of them having certificate and some have not been studied yet. At Treasury of Tehrn’s Bonyad Museum, a sample of slip painted Buff ware by a motif in the form of a man holding a cup is preserved that to date no information around it has been published. In this study, this object will be introduced. The study was conducted through a corresponding – descriptive method and its date collection was done by field and attributive method within which corresponding the object under study with certificated samples in other collections was done with the aim of introducing and answering to these two questions where and when the probable construction site and date of this pottery is. Finally, this result was achieved that this sample is among Nishapur’s productions and relating to the third and fourth centuries (LY).
VL  - 4
IS  - 4
ER  -

Copy | Download