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Principles of Form Construction and their Dialectical Relation in the Musical Styles

Received: 24 September 2014     Accepted: 26 September 2014     Published: 7 October 2014
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Abstract

Objects of the study are the two basic principles of the multi-voice thinking - the polyphonic - linear and the homophonic - vertical. Their effect is discussed in the various styles. The different meaning of the two main qualities of the chord is also clarified - phonism and functionality and their manifestation in the types of multi-voice musical thinking.

Published in International Journal of Literature and Arts (Volume 2, Issue 5-1)

This article belongs to the Special Issue Musical Theory, Psychology and Pedagogy

DOI 10.11648/j.ijla.s.2014020501.20
Page(s) 61-64
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2014. Published by Science Publishing Group

Keywords

Linear Multi-Voice Thinking – Polyphony, Vertical Multi-Voice Thinking – Homophony, Phonism, Functionality, Musical Theory

References
[1] Kholopov, Y. Harmony – Theoretical Course, Moscow.1988г. (Холопов, Ю. Гармония-теоретический курс, М.1988)
[2] Protopopov, V. History of Polyphonies, Moscow.1965г. (Протопопов, В. История полифонии, М.1965)
[3] Skrebkov, S. Artistic Principles of the Musical Styles, Moscow.1973 г. (Скребков, С. Художественные принципи музикальных стилей, М.1973)
[4] Stoyanov, P. Introduction in the Theory of Music, “Kiril i Metodii” Publishing House, Veliko Tarnovo, 2001г. (Стоянов, П. Въведение в теорията на музиката, изд.”Кирил и Методий”, Велико Търново, 2001)
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  • APA Style

    Penka Pencheva Mincheva. (2014). Principles of Form Construction and their Dialectical Relation in the Musical Styles. International Journal of Literature and Arts, 2(5-1), 61-64. https://doi.org/10.11648/j.ijla.s.2014020501.20

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    ACS Style

    Penka Pencheva Mincheva. Principles of Form Construction and their Dialectical Relation in the Musical Styles. Int. J. Lit. Arts 2014, 2(5-1), 61-64. doi: 10.11648/j.ijla.s.2014020501.20

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    AMA Style

    Penka Pencheva Mincheva. Principles of Form Construction and their Dialectical Relation in the Musical Styles. Int J Lit Arts. 2014;2(5-1):61-64. doi: 10.11648/j.ijla.s.2014020501.20

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  • @article{10.11648/j.ijla.s.2014020501.20,
      author = {Penka Pencheva Mincheva},
      title = {Principles of Form Construction and their Dialectical Relation in the Musical Styles},
      journal = {International Journal of Literature and Arts},
      volume = {2},
      number = {5-1},
      pages = {61-64},
      doi = {10.11648/j.ijla.s.2014020501.20},
      url = {https://doi.org/10.11648/j.ijla.s.2014020501.20},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2014020501.20},
      abstract = {Objects of the study are the two basic principles of the multi-voice thinking - the polyphonic - linear and the homophonic - vertical. Their effect is discussed in the various styles. The different meaning of the two main qualities of the chord is also clarified - phonism and functionality and their manifestation in the types of multi-voice musical thinking.},
     year = {2014}
    }
    

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  • TY  - JOUR
    T1  - Principles of Form Construction and their Dialectical Relation in the Musical Styles
    AU  - Penka Pencheva Mincheva
    Y1  - 2014/10/07
    PY  - 2014
    N1  - https://doi.org/10.11648/j.ijla.s.2014020501.20
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    T2  - International Journal of Literature and Arts
    JF  - International Journal of Literature and Arts
    JO  - International Journal of Literature and Arts
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    AB  - Objects of the study are the two basic principles of the multi-voice thinking - the polyphonic - linear and the homophonic - vertical. Their effect is discussed in the various styles. The different meaning of the two main qualities of the chord is also clarified - phonism and functionality and their manifestation in the types of multi-voice musical thinking.
    VL  - 2
    IS  - 5-1
    ER  - 

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Author Information
  • Faculty of Music Pedagogy, Academy of Music, Dance and Fine Arts – Plovdiv, Bulgaria, Europe

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